
Transient Music: 2007 Year End Thoughts
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Regardless, the year had its drawbacks. The issue of music piracy exploded
in later months, beginning with the shutdown of OiNK.cd, the most popular
site for advance releases on the Internet. From there, Albumbase and
Demonoid were taken down. While these sites encouraged illegal activity,
the authorities had little legal ground to stand on when arresting the site
owners. The sites had no central servers where they held these albums.
They provided links to the albums instead. It seems more like arresting a
school principal for a student possessing illegal drugs in his locker rather
than arresting the student. And, as OiNK argues, Google provides many of
those links with a simple search. Type “Frank Sinatra.rar” and many links
to torrent downloads appear on the first page of Google’s results. While I
am not taking sides to this argument, I contend that the record labels
putting a bounty on these sites only infuriates the labels’ consumers,
therefore moving them further to piracy. Something must be done.
Once again paralleling the progress of nature’s seasons, too many
musicians have died in the last few months. Ike Turner, Casey Calvert of
Hawthorne Heights, and Kevin DuBrow of Quiet Riot have made the most
headlines, but many others have perished within the last month. András
Szöll sy, the Hungarian classical composer and contemporary of Béla
Bartók, died on December 6th. Pimp C, who recently appeared on the new
Chamillionaire album and part of the hip-hop duo UGK, died on December
4th. And of course, we lost Luciano Pavarotti on September 4th. The list
goes on…
Personally, the year means something much more than a collection of great
albums or a year to remember great musicians. 2007 marks my first full
year as an active writer and reviewer, and, looking upon my first review of
that year, I feel confident in my improvement as a writer. I worked to
break my formulaic style, and I feel that I have succeeded in that effort,
although I still use fallbacks and cliché statements here and there. Through
consistent writing and listening, I attempted to make keener musical
insight. With various different genres, I continued to broaden my horizons,
delving into more mainstream music at points (James Blunt, Yellowcard)
and working on writing negative reviews of higher quality. As Sputnikmusic
gained popularity on the Internet, I gathered more contacts with record
labels as a means to establish a reputation not only for myself but also for
the website.
Most importantly, however, I discovered a purpose to my writing. I do not
review to gain attention or inflate my self esteem but rather as a means to
express my views on art and music as a whole. I try to promote innovation
and originality over the refined borrowing of ideas and repeating the same
process over and over again. I love when artists grow and change, when
they experiment, when they forget what their record labels want and
express their own creative motives above all. While my opinion may be
small and ineffective to the music world as a whole, I feel a need to
express these opinions. Jaga Jazzist titled their 2005 landmark album What
We Must. This is what I must, and shall continue, for years to come.